How to use this site:This is the virtual site of laboratory research and play at the Institute of Cultural inquiry (ICI). Click on a theme in RHIZOMES to see how disparate parts of the ICI archive are joined together around a fleeting thought or by a slip of the eye or the shutter. Click on a subject in ICI CONNECTIONS to see how recurring concerns coalesce around recurring themes or click on a place in the ICI ARCHIVES to see the raw material of our collections. TAGs below each post reveal hidden relationships between objects, thoughts, and interpretations.
AIDS/ Behind the Curtain Technologies/ Body as Model/ Body as Sign/ Building as Sign Camarón que se duerme.../ Collective Camouflage/ Dead/ Digital Book Dirt/ Dust/ Epistemophilia/ Esoterica/ Firsts/ Hidden in Plain Sight/ Hidden in Plain Site/ ICI Methods and Techniques Image-text gaps/ Liber Creature/ Man's History of Photography/ Manual of Lost Ideas/ Marginalia/ Masonry/ Monkey Head Nature as Model/ Out/ Phobias/ Photography's History of Us/ Plagues/ Re-membering/ Sebaldiana/ Seen in Plain Site/ Sexual identity/ Signs/ Slips of the Ear/ Slips of the Eye/ Slips of the Tongue/ Still Lies Quiet Truth/ That was Now/ Thin End of the Wedge/ Things that Glisten/ This Could be a Place of Historical Significance/ This is Then/ We are the ICI/ We Did This All While You Were Watching TV/ Who Decides/
Category Archives: Dust/
McFadden, David Revere; Swept Away: Dust, Ashes and Dirt in Contemporary Art and Design (2012) ICI Shelf: Current Project First Line: “Dust, Ashes and Smoke, Dirt –these humble materials lead double lives.” Last Line: “The series brings together the collective … Continue reading
Jarman, Derek Blue: Das Buch zum Film (1994) ICI Shelf: London First Line: “You say to the boy open your eyes” Last Line: “I place a delphinium, Blue, upon your grave.” ICI History: Today at the ICI — Twitter Feed: … Continue reading
In 1980, Braco Dimitrijević built an engraved slab into the pavement outside the Cathedral in Cologne, Germany. This photo was taken in January of 1992. Dimitrijević’s critique of history relies not only on language, the usual fodder of sign systems, … Continue reading
The Greek word for ‘sign’ is sema, which is also the word for ‘grave.’ For the Greeks the grave was the ur-sign of signification for it ‘stood for’ what it ‘stood in.’ The sema points to something only present through … Continue reading
These pages, that represent the 385 images from W. G. Sebald’s four published prose fictions, jump-started our 5-year long study of the late author’s work. By attempting to bring the pictures back to their pre-publication state where they existed only … Continue reading