How to use this site:This is the virtual site of laboratory research and play at the Institute of Cultural inquiry (ICI). Click on a theme in RHIZOMES to see how disparate parts of the ICI archive are joined together around a fleeting thought or by a slip of the eye or the shutter. Click on a subject in ICI CONNECTIONS to see how recurring concerns coalesce around recurring themes or click on a place in the ICI ARCHIVES to see the raw material of our collections. TAGs below each post reveal hidden relationships between objects, thoughts, and interpretations.
AIDS/ Behind the Curtain Technologies/ Body as Model/ Body as Sign/ Building as Sign Camarón que se duerme.../ Collective Camouflage/ Dead/ Digital Book Dirt/ Dust/ Epistemophilia/ Esoterica/ Firsts/ Hidden in Plain Sight/ Hidden in Plain Site/ ICI Methods and Techniques Image-text gaps/ Liber Creature/ Man's History of Photography/ Manual of Lost Ideas/ Marginalia/ Masonry/ Monkey Head Nature as Model/ Out/ Phobias/ Photography's History of Us/ Plagues/ Re-membering/ Sebaldiana/ Seen in Plain Site/ Sexual identity/ Signs/ Slips of the Ear/ Slips of the Eye/ Slips of the Tongue/ Still Lies Quiet Truth/ That was Now/ Thin End of the Wedge/ Things that Glisten/ This Could be a Place of Historical Significance/ This is Then/ We are the ICI/ We Did This All While You Were Watching TV/ Who Decides/
Category Archives: Epistemophilia/
As visual thinkers, we often resort to the impromptu diagram to help bring us through a conceptual morass. Through the years, we have taken this conceit one step further in our belief that our nascent theories and philosophies should lend … Continue reading
An image-text by ICI associate Lise Patt created for Part 2, a publication of the City University of New York, Graduate Center . Here, a typical syllabus for a class in art history is obscured by the cultural eclipse of … Continue reading
The well-worn but faithful drawers of the ICI’s Ephemera Kabinett. We call the material contained in these drawers ephemera because by they time it comes to us its initial purpose has expired; someone has decided to discard the object (or … Continue reading
The telegraph room at the Mundaneum circa 1930, Paul Otlet’s ambitious project to create a master bibliography of all the world’s published knowledge. His interest in collecting magazines, journals, photographs, posters and all kinds of ephemera and not just books … Continue reading
The Archive figured prominently in the ICI’s third title, Searching for Sebald: Photography After W. G. Sebald. In her essay that considered the work of Tacita Dean and Joseph Beuys through the prose fictions of W. G. Sebald, Christa-Maria Lerm … Continue reading Continue reading