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How to use this site:
Click on a theme in RHIZOMES to see how disparate parts of the ICI archive are joined together around a fleeting thought or by a slip of the eye or the shutter. Click on a subject in ICI CONNECTIONS to see how recurring ICI concerns coalesce around recurring themes or click on a place in the ICI ARCHIVES to see the raw material of our collections. TAGs below each post reveal hidden relationships between objects, thoughts, and interpretations. This is the place of laboratory research and play. -MORE-RHIZOMES
ICI Connections
AIDS AIDS Book Bataille's Eye Behind the Curtain Technologies Body as Model Body as Sign Books to inspire Building as Sign Buttons Camarón que se duerme... Collective Camouflage Dead Dirt Documents Dust DWA Epistemophilia Firsts Galt Hidden in Plain Sight Hidden in Plain Site Image-text gaps Lasts Liber Creature Lists Man's History of Photography Manual of Lost Ideas Marginalia Masonry Nature as Model Out Phobias Photography's History of Us Plagues Playing cards Raw Material Re-membering roundness Sebaldiana Seen in Plain Site Sexual identity Signs Slips of the Ear Slips of the Eye Slips of the Tongue Still Lies Quiet Truth Strangers and Fools That was Now Thin End of the Wedge Things that Glisten This Could be a Place of Historical Significance This is Then Uncategorized volvelle We are the ICI We Did This All While You Were Watching TV Who Decides
Category Archives: Hidden in Plain Sight
LIBRARY SHELF: The Universe and Dr. Einstein
Barnett, Lincoln The Universe and Dr. Einstein: A Clear Explanation of Einstein’s Theories (1948) LAST LINE: “’The law of the conservation of the mass of a system becomes identical with the law of conservation of energy…’” ICI SHELF: Prague ICI … Continue reading
LIBRARY SHELF: On Ugliness
Eco, Umberto, ed. On Ugliness (2007) LAST LINE: “…the good that she drew from them…was a general good, of which nothing was wasted.” ICI SHELF: Visuality ICI HISTORY: Today at the ICI-Twitter Feed (03-23-12)
LIBRARY SHELF: The Politics of Vision
Nochlin, Linda The Politics of Vision: Essays on Nineteenth-Century Art and Society (1989) FIRST LINE: “Art Changes only through strong convictions, convictions strong enough to change society at the same time.” ICI SHELF: Art History ICI HISTORY: Today at the … Continue reading
LIBRARY SHELF: Against Method
Feyerabend, Paul Against Method (1993) FIRST LINE: “In such a world only miracles or revelation could reform our cosmology.” ICI SHELF: Science Theory ICI HISTORY: Today at the ICI-Twitter Feed (03-15-12)
LIBRARY SHELF: Surrealism and Women
Caws, Mary Ann, Rudolf Kuenzli and Gwen Raaberg, eds. Surrealism and Women (1990) FIRST LINE: “Headless. And also footless. Often armless too: and always unarmed, except with poetry and passion.” ICI SHELF: Women ICI HISTORY: Today at the ICI-Twitter Feed (03-11-12)
This Could Be a Place of Historical Significance
In 1980, Braco Dimitrijević built an engraved slab into the pavement outside the Cathedral in Cologne, Germany. This photo was taken in January of 1992. Dimitrijević’s critique of history relies not only on language, the usual fodder of sign systems, … Continue reading
The Sign of the Masons
The main entrance of the Great Eastern Hotel in London offers a ‘sign’ that is hidden in plain sight. Even though it was left off the hotel’s official floorplan, three bricked in windows act as a visual sign for a … Continue reading
This is Bedlam
A small plaque on the side of the Great Eastern Hotel in London marks the site of the old Bethlehem Hospital. The sign obscures the other name for the site. As W. G. Sebald schooled us in Austerlitz, at this … Continue reading
Max Sebald’s Signature
As a form of written language, the signature is, in theory, a symbolic sign. Its relationship to the person who creates it is arbitrary and based totally on convention and cultural practice. In reality, though, the signature is a … Continue reading
The Red Hand
A red palm print near an otherwise immaculately maintained doorway in Santa Monica. It resists inclusion in the visual marginalia that defines most urban sites. The red palm is the sign of the gypsy, of the palm reader, of the … Continue reading
