How to use this site:
Click on a theme in RHIZOMES to see how disparate parts of the ICI archive are joined together around a fleeting thought or by a slip of the eye or the shutter. Click on a subject in ICI CONNECTIONS to see how recurring ICI concerns coalesce around recurring themes or click on a place in the ICI ARCHIVES to see the raw material of our collections. TAGs below each post reveal hidden relationships between objects, thoughts, and interpretations. This is the place of laboratory research and play. -MORE-RHIZOMES
ICI Connections
AIDS AIDS Book Bataille's Eye Behind the Curtain Technologies Body as Model Body as Sign Books to inspire Building as Sign Buttons Camarón que se duerme... Collective Camouflage Dead Dirt Documents Dust DWA Epistemophilia Firsts Galt Hidden in Plain Sight Hidden in Plain Site Image-text gaps Lasts Liber Creature Lists Man's History of Photography Manual of Lost Ideas Marginalia Masonry Nature as Model Out Phobias Photography's History of Us Plagues Playing cards Raw Material Re-membering roundness Sebaldiana Seen in Plain Site Sexual identity Signs Slips of the Ear Slips of the Eye Slips of the Tongue Still Lies Quiet Truth Strangers and Fools That was Now Thin End of the Wedge Things that Glisten This Could be a Place of Historical Significance This is Then Uncategorized volvelle We are the ICI We Did This All While You Were Watching TV Who Decides
Category Archives: Nature as Model
LIBRARY SHELF: RE/Search #13
LIBRARY SHELF: The Universe and Dr. Einstein
Barnett, Lincoln The Universe and Dr. Einstein: A Clear Explanation of Einstein’s Theories (1948) LAST LINE: “’The law of the conservation of the mass of a system becomes identical with the law of conservation of energy…’” ICI SHELF: Prague ICI … Continue reading
LIBRARY SHELF: Yves Klein
LIBRARY SHELF: Surrealism and Women
LIBRARY SHELF: Landscapes of the Passing Strange
LIBRARY SHELF: Close to the Knives
LIBRARY SHELF: Interaction of Color
EARTH SAMPLE: Koshoji Temple, Nagoya, Japan
Posted in Dirt, Earth Cabinet, Nature as Model, Raw Material, Workroom
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