How to use this site:This is the virtual site of laboratory research and play at the Institute of Cultural inquiry (ICI). Click on a theme in RHIZOMES to see how disparate parts of the ICI archive are joined together around a fleeting thought or by a slip of the eye or the shutter. Click on a subject in ICI CONNECTIONS to see how recurring concerns coalesce around recurring themes or click on a place in the ICI ARCHIVES to see the raw material of our collections. TAGs below each post reveal hidden relationships between objects, thoughts, and interpretations.
AIDS/ Behind the Curtain Technologies/ Body as Model/ Body as Sign/ Building as Sign Camarón que se duerme.../ Collective Camouflage/ Dead/ Digital Book Dirt/ Dust/ Epistemophilia/ Esoterica/ Firsts/ Hidden in Plain Sight/ Hidden in Plain Site/ ICI Methods and Techniques Image-text gaps/ Liber Creature/ Man's History of Photography/ Manual of Lost Ideas/ Marginalia/ Masonry/ Monkey Head Nature as Model/ Out/ Phobias/ Photography's History of Us/ Plagues/ Re-membering/ Sebaldiana/ Seen in Plain Site/ Sexual identity/ Signs/ Slips of the Ear/ Slips of the Eye/ Slips of the Tongue/ Still Lies Quiet Truth/ That was Now/ Thin End of the Wedge/ Things that Glisten/ This Could be a Place of Historical Significance/ This is Then/ We are the ICI/ We Did This All While You Were Watching TV/ Who Decides/
Category Archives: Raw Material
Artistic abstraction, which came into public view circa 1911, is currently undergoing a broad reassessment. At mid-century, Clement Greenberg argued that modernist painting’s exploration of line, color, and gesture — each a turn away from figurative representation and from the other … Continue reading
In 1902, Max Verworn began the Zeitschrift für allgemeine Physiologie (Journal of General Physiology). In 21 years, the Zeitschrift amounted to 20 volumes full of pictures, diagrams, graphs, and photographs — companions to extensive articles on the inner-workings of all sorts of bodily … Continue reading
The Searching for Sebald project was a landmark event for the ICI because it opened the door to a whole new toolbox for doing creative research. Sebald’s bricolage gave us permission to “play” more than we usually do. In this … Continue reading