Speculative Pentimenti Catalog

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Working within the framework of the ICI’s 2012 research theme of “phantom worlds” and fueled by our long-held belief that all human activities leave behind a visual trace, Speculative Pentimenti presents a visual exploration of contemporary society through the works of artist and longtime associate Sande Sisneros.

The catalog features full-color images alongside essays from curator Sue-Na Gay, and ICI Director Lise Patt.

Publisher: ICI Press
Retail Price: $35

The Speculative Pentimenti Catalog is available in the ICI Gift Shop.

100/10∆10 Mappa Mundi: The Earth Project Catalog

100/10∆10: terra publica, coordinated by Jojo Black and Elisa Baek

The catalogs for the 100/10 (100 days/10 visions) project are an homage to many of the ICI’s favorite people and things: W. G. Sebaftald, his poem After Nature, The New Museum in New York. Modeled on that museum’s catalog for their 2008 exhibition After Nature, this book also owes allegiance to Aby Warburg (1866-1929). Under the dustcover you’ll find a “good neighbor,” a book that impacted the curator of this project iteration (and so, a different title for each participant) even though that book’s influence may not be immediately apparent in the exhibition photos that are sprinkled within its pages. Warburg, lamenting the possible loss of open stacks in public libraries, argued that when looking for a desired book on a library shelf it is often its neighbor that first draws your attention, its good neighbor that holds the answer you are seeking.

This catalog can be purchased in our gift shop for $20. (additional fee for shipping)

100/10∆9 Catalog

The catalogs for the 100/10 (100 days/10 visions) project are an homage to many of the ICI’s favorite people and things: W. G. Sebald, his poem After Nature, The New Museum in New York. Modeled on that museum’s catalog for their 2008 exhibition After Nature, this book also owes allegiance to Aby Warburg (1866-1929). Under the dustcover you’ll find a “good neighbor,” a book that impacted the curator of this project iteration (and so, a different title for each participant) even though that book’s influence may not be immediately apparent in the exhibition photos that are sprinkled within its pages. Warburg, lamenting the possible loss of open stacks in public libraries, argued that when looking for a desired book on a library shelf it is often its neighbor that first draws your attention, its good neighbor that holds the answer you are seeking.

This catalog can be purchased in the ICI gift shop for $25.

100/10∆8 Catalog

The catalogs for the 100/10 (100 days/10 visions) project are an homage to many of the ICI’s favorite people and things: W. G. Sebald, his poem After Nature, The New Museum in New York. Modeled on that museum’s catalog for their 2008 exhibition After Nature, this book also owes allegiance to Aby Warburg (1866-1929). Under the dustcover you’ll find a “good neighbor,” a book that impacted the curator of this project iteration (and so, a different title for each participant) even though that book’s influence may not be immediately apparent in the exhibition photos that are sprinkled within its pages. Warburg, lamenting the possible loss of open stacks in public libraries, argued that when looking for a desired book on a library shelf it is often its neighbor that first draws your attention, its good neighbor that holds the answer you are seeking.

100/10∆7 Catalog

 

The catalogs for the 100/10 (100 days/10 visions) project are an homage to many of the ICI’s favorite people and things: W. G. Sebald, his poem After Nature, The New Museum in New York. Modeled on that museum’s catalog for their 2008 exhibition After Nature, this book also owes allegiance to Aby Warburg (1866-1929). Under the dustcover you’ll find a “good neighbor,” a book that impacted the curator of this project iteration (and so, a different title for each participant) even though that book’s influence may not be immediately apparent in the exhibition photos that are sprinkled within its pages. Warburg, lamenting the possible loss of open stacks in public libraries, argued that when looking for a desired book on a library shelf it is often its neighbor that first draws your attention, its good neighbor that holds the answer you are seeking.

100/10∆6 Catalog

The catalogs for the 100/10 (100 days/10 visions) project are an homage to many of the ICI’s favorite people and things: W. G. Sebald, his poem After Nature, The New Museum in New York. Modeled on that museum’s catalog for their 2008 exhibition After Nature, this book also owes allegiance to Aby Warburg (1866-1929). Under the dustcover you’ll find a “good neighbor,” a book that impacted the curator of this project iteration (and so, a different title for each participant) even though that book’s influence may not be immediately apparent in the exhibition photos that are sprinkled within its pages. Warburg, lamenting the possible loss of open stacks in public libraries, argued that when looking for a desired book on a library shelf it is often its neighbor that first draws your attention, its good neighbor that holds the answer you are seeking.

100/10∆5 Catalog

The catalogs for the 100/10 (100 days/10 visions) project are an homage to many of the ICI’s favorite people and things: W. G. Sebald, his poem After Nature, The New Museum in New York. Modeled on that museum’s catalog for their 2008 exhibition After Nature, this book also owes allegiance to Aby Warburg (1866-1929). Under the dustcover you’ll find a “good neighbor,” a book that impacted the curator of this project iteration (and so, a different title for each participant) even though that book’s influence may not be immediately apparent in the exhibition photos that are sprinkled within its pages. Warburg, lamenting the possible loss of open stacks in public libraries, argued that when looking for a desired book on a library shelf it is often its neighbor that first draws your attention, its good neighbor that holds the answer you are seeking.

100/10∆4 Catalog

The Catalog for the 100/10/04 project is adapted from E.E. Cummings’ Enormous Room  by Karen Frimkess-W0lff, curator of this iteration of the 100/10 project.

The catalogs for the 100/10 (100 days/10 visions) project are an homage to many of the ICI’s favorite people and things: W. G. Sebald, his poem After Nature, The New Museum in New York. Modeled on that museum’s catalog for their 2008 exhibition After Nature, this book also owes allegiance to Aby Warburg (1866-1929). Under the dustcover you’ll find a “good neighbor,” a book that impacted the curator of this project iteration (and so, a different title for each participant) even though that book’s influence may not be immediately apparent in the exhibition photos that are sprinkled within its pages. Warburg, lamenting the possible loss of open stacks in public libraries, argued that when looking for a desired book on a library shelf it is often its neighbor that first draws your attention, its good neighbor that holds the answer you are seeking.

This catalog can be purchased in the ICI gift shop for $25.

100/10∆3 Catalog

The catalogs for the 100/10 (100 days/10 visions) project are an homage to many of the ICI’s favorite people and things: W. G. Sebald, his poem After Nature, The New Museum in New York. Modeled on that museum’s catalog for their 2008 exhibition After Nature, this book also owes allegiance to Aby Warburg (1866-1929). Under the dustcover you’ll find a “good neighbor,” a book that impacted the curator of this project iteration (and so, a different title for each participant) even though that book’s influence may not be immediately apparent in the exhibition photos that are sprinkled within its pages. Warburg, lamenting the possible loss of open stacks in public libraries, argued that when looking for a desired book on a library shelf it is often its neighbor that first draws your attention, its good neighbor that holds the answer you are seeking.

100/10∆1 Catalog

The catalogs for the 100/10 (100 days/10 visions) project are an homage to many of the ICI’s favorite people and things: W. G. Sebald, his poem After Nature, The New Museum in New York. Modeled on that museum’s catalog for their 2008 exhibition After Nature, this book also owes allegiance to Aby Warburg (1866-1929). Under the dustcover you’ll find a “good neighbor,” a book that impacted the curator of this project iteration (and so, a different title for each participant) even though that book’s influence may not be immediately apparent in the exhibition photos that are sprinkled within its pages. Warburg, lamenting the possible loss of open stacks in public libraries, argued that when looking for a desired book on a library shelf it is often its neighbor that first draws your attention, its good neighbor that holds the answer you are seeking.