LIBRARY DISPLAY: Guen Hors

Geuen Hors

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 On display in the Library and Terri Valli Trotter Study Room September 30 2013 – January 31 2014

 

“Trojan Horse” “Gift-Horse” “Horseplay” “If wishes were horses…” “Straight from the horse’s mouth”

Though they no longer function as an element of day-to-day life for most people, the horse lives on as  a metaphor for everything from free presents to wishful thinking, to hidden invaders, and beyond. Stemming from the realm of double entendre, ‘the trickster,’ and the playfulness of things ‘hidden in plain sight,’ Geuen Hors pays tribute to the many ‘horses’ that have surfaced at the ICI over the last twenty years.

Ranging from large scale installation to miniature painting, items on display include ‘gifted’ works by Mungo Thomson, Pam Posey, Danny Redfern, Arnaldo Morales, Terri Valli Trotter, the Museum of Forgery, Axel Forrester, Martin Gantman, Deborah Paulsen, John Galt, Yolande Macias Mckay, George Herms, and Sophie Calle (among others), as well as a collection of ‘anonymous gifts’ left behind in books, on shelves, under tress, and in the other shadow spaces of the ICI.

A full map of the items on display can be downloaded here.

Speculative Pentimenti Catalog

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Working within the framework of the ICI’s 2012 research theme of “phantom worlds” and fueled by our long-held belief that all human activities leave behind a visual trace, Speculative Pentimenti presents a visual exploration of contemporary society through the works of artist and longtime associate Sande Sisneros.

The catalog features full-color images alongside essays from curator Sue-Na Gay, and ICI Director Lise Patt.

Publisher: ICI Press
Retail Price: $35

The Speculative Pentimenti Catalog is available in the ICI Gift Shop.

Searching for Sebald (Artist Edition)

The Limited Artist edition is an edition of 75 with 25 artist proofs. Suitcases are available as a premium to members and supporters who contribute to the Institute in the amount of $1,000 USD.

Each suitcase is a unique object with a name drawn from one of the many fictional or fictionalized historical figures in Sebald’s prose fictions. The valise houses a hardcover edition of Searching for Sebald along with 20 originals works of art by 20 artists or visual researchers. To purchase a suitcase or to see what suitcase ‘names’ are still available, please visit the ICI Gift Shop.

 

 

 

Curators: Lise Patt, Christel Dillbohner and Anna Ayeroff
Assistant curator: Lily Siegel
Project desgin:Lise Patt and Anna Ayeroff
Publisher: Institute of Cultural Inquiry
ISBN: 978-1-889917-13-9

 

Artist Contributors

  • Thomas Becker (Switzerland)
  • Suvan Geer (U.S.)
  • Antoinette LaFarge (U.S.)
  • Christel Dillbohner (U.S./Germany)
  • Deborah Paulsen (U.S.)
  • Terri Valli Trotter (U.S.)
  • Tris Vonna-Michell (Germany/U.K.)
  • Jo Todd (U.S.)
  • Melinda Smith Altshuler (U.S.)
  • Jeremy Millar (U.K.)
  • Tim Wright (U.K.)
  • Daniel Lash (U.S.)
  • Anne Flannery (U.S.)
  • ICI Research Team (U.S./U.K./Germany)
  • Pablo Helguera (U.S./Mexico)
  • Yolande Macias McKay (U.S.)
  • Chris Rochelle (U.S.)
  • Skuta (U.S./Iceland)
  • Axel Forrester (U.S./U.K.)
  • Sande Sisneros (U.S.)
  • Danny Redfern (U.S.)

 

 

SPECULATIVE PENTIMENTI Press Release

Speculative Pentimenti: Painting in an Age of Endarkenment

May 5 – 26, 2012

 Opening Reception:
Saturday, May 5, 7-9 pm

We are living through a dark age. An age of, if you like, endarkenment—and I don’t necessarily mean that negatively. The world is aflood with dark psychic fluid, everything’s stained with it.                                                   – Michael Ventura

Working within the framework of our 2012 research theme of phantom worlds and fueled by our long-held belief that all human activities leave behind a visual trace, the Institute of Cultural Inquiry (ICI) is proud to present Speculative Pentimenti, a visual exploration of contemporary society presented through the work of artist and longtime ICI associate Sande Sisneros.

Marrying the detail of Northern Renaissance landscape painting and the immersive and dramatic lighting changes of the theater, Speculative Pentimenti uses visual narratives to express the hidden politics of a world that lies beyond our immediate realm of vision. Using light-sensitive pigments and inverted lighting and optics within the display space, large-scale oil paintings of uninhabited landscapes and disjointedly dramatic skies give way to a tracery of haunting visual narratives that reveal hidden “realities” lurking just below the painted surfaces. Here, a once serene ocean becomes a cesspool of trash while an uninhabited poppy field suddenly turns to menacing scene of war. These ghostly speculations appear in the dark to relay their messages, but then fade back into oblivion when the light comes back on. Both stages or “worlds” are ever present but viewers can never completely see both at the same time thus entangling the two in the visual centers of our brains and the shadow of our memories.

It is through this performative nature that the works express the artist’s true intention, to inspire change through the use of inventive pentimenti. In the world of forms, pentimenti (Italian for remorse or change) evoke x-rays, night vision, and the visual traces of hallucinogens while in art history their study is a recuperative act, a look back to a painting’s origins or an artist’s first intentions. Here, Sisneros uses these ghostly structures to look ahead, to imagine a future where the hidden politics of the world no longer lie beyond our immediate realm of vision but rather become glowingly apparent.

The duality of these images question what we see and (more importantly) what we often times don’t see or choose not to see. Is seeing really believing? Are truth and perception the same? And equally, what are the boundaries of our existence? In exploring these questions, viewers are left to form their own answers and reveal some form of “light” from the “darkness.”

Sande Sisneros is an internationally exhibited, self-taught artist whose works are featured in prominent private collections around the world. Over the course of her career, Sisneros’ works have challenged our connections to sight, memory, nature and the unknown. Speculative Pentimenti brings these elements together to further engage the limits of our reality.

For more information about the show:info@culturalinquiry.org