ICI President helps organize a New Exhibition

Edouard Manet (1832-1883) Olympia 1863 Oil on canvas H. 130; W. 190 cm Paris, Musée d’Orsay

ICI President, current Director of the Bronx Art Museum, and former Director of the Wallach Art Gallery at Columbia University, Deborah Cullen-Morales, has helped organize an exhibition entitled Posing Modernity: The Black Model from Manet and Matisse to Today, curated by Denise Murrell. The exhibition will be on view at the Wallach from October 24, 2018 to February 10, 2019, and will then be expanded at the Musée d’Orsay as Le Modèle noir, de Géricault à Matisse from March 26 to July 14, 2019.

You can read more about the exhibition in the New York Times.

ICI President, Deborah Cullen, Curates New Exhibition

 

ICI President, Deborah Cullen, has curated a new exhibition entitled Uptown at the Wallach Art Gallery at Columbia University.  The exhibition is “a new triennial surveying the work of artists who live or practice north of 99th Street.”

Uptown runs June 2 – August 20, 2017

AIDS Chronicles 1995

Status: COMPLETED

Cover artist and binder: Esteban Chavez S.

This edition comprises four portfolios each of which holds Chronicle pages that have been hand-sewn together in an accordion fashion. New York-based Chavez S. used a photogravure process to create the cover images of his four-volume set. Visually emphasizing the artistic heritages of East and West, the portfolio-style covers were printed on both the inside and outside. The Chronicle’s pages were hand-sewn to create 12 accordion-fold books, each containing one month of pages. Each volumes includes specially printed “name sheets” between the months that include all those listed in New York Times obituary pages as having died of HIV/AIDS during that year. The portfolios were printed at Robert Blackburn’s Printmaking Workshop in NYC.

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Exhibition History:

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1995—New Museum of Contemporary Art in New York on December 1 of that year, the sixth Day Without Art. The Chronicle was displayed in the lobby and visitors to the museum turned its pages at a rate determined by the number of AIDS deaths that year with each turn of the page representing a person that had died. This interactive display was positioned to occupy the Museum’s street-level display window, thereby bringing its message to the thousands of people who passed by the window on a daily basis.

2003—Sam Francis Gallery at Crossroads School in Santa Monica, CA as part of a retrospective exhibit of the AIDS Chronicles.

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AIDS Chronicles 2010

The pages for this edition are currently being produced in NYC under the supervision of ICI Associate, Deborah Cullen-Morales. The cover art/’binding’ for the year will be designed and produced by Vladimir Cybil Charlier with special emphasis on the Haitian earthquake of January 2010.

Images from the painting sessions used to complete this edition are seen below.

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New Exhibition Curated by ICI Associate, Deborah Cullen

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Front of pamphlet on The Printmaking Workshop (undated), David C. Driskell Center Archives.

 

Robert Blackburn: PASSAGES

ICI Associate and Director & Chief Curator of the Miriam & Ira D. Wallach Art Gallery, Columbia University, Deborah Cullen, has curated a new retrospective exhibition at the David C. Driskell Center in Maryland, on view from September 18 – December 19, 2014.

LIBRARY DISPLAY: A Book by Any Other Name

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   A Book by Any Other Name

On display in the Library and Terri Valli Trotter Study Room

February 10 – April 30, 2014

The making of books is a process that straddles the line between fine art and craftsmanship. It can create both what we know and think of as ‘books’ – two covers, hard or soft, with a range of pages sandwiched in between – or it can diverge entirely and take the form of the sculptural, the conceptual, the ‘in-between’ or the ‘none of the above.’

Following our recent involvement in the 2nd annual LA Art Book Fair (hosted by Printed Matter), the Institute of Cultural Inquiry is proud to present a curated display of handmade artist books, books about books from the Institute’s library and unique collections that celebrate the making of unique book art objects.

Featured artists on display include Dorothy Royer, Leslie Corrigan, Janet Klein, Pam Posey, Deborah Cullen, and the Museum of Forgery, among others.

 

ICI President and Associate Deborah Cullen in Conference

ICI_BLOGdeb_cullen_ljubljana-wInternational Conference
Password: Printmaking, Ljubljana
7 March 2014

The conference, which is an integral part of the European project Password: Printmaking, Travelling Exhibition and Art Residencies (2012–2014) aims to highlight the various theoretical and practical perspectives on some eternally topical issues related to our understanding of printmaking and printed art in the changing environment of contemporary art production in general.

The third and the last part of the Conference will cover the topic of the international exhibitions of graphic arts – biennials, triennials and festivals – and the active role they play for graphic arts. The topic will be covered in part by ICI President, Deborah Cullen, Director & Chief Curator of The Miriam and Ira D. Wallach Art Gallery at Columbia University, and also a curator of the 30th Ljubljana Biennial of Graphic Arts.

LIBRARY DISPLAY: Guen Hors

Geuen Hors

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 On display in the Library and Terri Valli Trotter Study Room September 30 2013 – January 31 2014

 

“Trojan Horse” “Gift-Horse” “Horseplay” “If wishes were horses…” “Straight from the horse’s mouth”

Though they no longer function as an element of day-to-day life for most people, the horse lives on as  a metaphor for everything from free presents to wishful thinking, to hidden invaders, and beyond. Stemming from the realm of double entendre, ‘the trickster,’ and the playfulness of things ‘hidden in plain sight,’ Geuen Hors pays tribute to the many ‘horses’ that have surfaced at the ICI over the last twenty years.

Ranging from large scale installation to miniature painting, items on display include ‘gifted’ works by Mungo Thomson, Pam Posey, Danny Redfern, Arnaldo Morales, Terri Valli Trotter, the Museum of Forgery, Axel Forrester, Martin Gantman, Deborah Paulsen, John Galt, Yolande Macias Mckay, George Herms, and Sophie Calle (among others), as well as a collection of ‘anonymous gifts’ left behind in books, on shelves, under tress, and in the other shadow spaces of the ICI.

A full map of the items on display can be downloaded here.

ICI at San Francisco Art Institute

Lise Patt, Founder and Director of the ICI, & Deborah Cullen, our Board President, traveled north to lecture at the San Francisco Art Institute on March 25, 2011 as part of the school’s Graduate Lecture Series. The pair presented “Collective Camouflage: The Non-Profit Organization as a Tactical Artist Medium,” during which they argued that a non-profit organization can empower (not burden) small groups of like-minded artists. Utilizing the ICI’s trademark ‘performance lecture’ format, the hour presentation was a layered ‘enactment’ of an ICI laboratory brainstorming session. Patt’s planned but unrehearsed interventions into Cullen’s powerpoint presentation resulted in some unusual and sometimes humorous interpretations of the ICI’s long history. How else can you characterize the juxtaposition of  a powerpoint slide depicting a small cavalcade of L.A. policemen investigating our ‘guerilla’ presentation of the AIDS Bottle project at LACMA in the late 1990s with Cullen’s description of spitfire beetle larvae that group together to pass themselves off as bumble bees and Patt’s visual disruption of both these elements, enacted in the corner of the powerpoint slide with a live feed of her white gloved hands measuring a rock that bears an uncanny resemblance to a human penis.

The lecture was a perfect end to a stimulating and inspiring day spent in the studios of the SFAI graduate students, many of whom Patt and Cullen hoped to recruit as ICI ‘associates in training.’ Check out the SFAI Graduate Lecture series and visit the school’s website to see some of the exciting new programs at SFAI including their low residency MFA program.